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You don't have permission to access /item/102332/A keepsake album (quarto, approximately 100 leaves, now a little worn) compiled by a young Adelaide woman, Laura Matilda Kaines (1857-1929), with her ownership details on an early blank ('Haltonbrook, Kensington, 1875'). The routine transcriptions, sketches, photographs, prosaic notes and loosely inserted cuttings by family, friends and acquaintances are enlivened by several topical watercolours mounted in the book. A pen-and-wash of a camp site on the banks of the River Murray, by an unidentified artist (118 x 178 mm, within a decorative border), is upstaged by two well-executed (no pun intended) and graphic watercolours by Charles Angas, a grandson of George Fife Angas. His father was John Howard Angas; George French Angas was his uncle. They are signed and dated 1881, and both depict hunting dogs. The first, ''Mabel' single-handed, The Farm, March 81' (90 x 190 mm) shows a dog in hot pursuit of a rabbit; the second, ''Loo' and 'Euchre', The Farm 27.12.80' (155 x 112 mm) shows two dogs in a tangle with a rabbit in between them, being savaged by the pair. What young Laura thought of it, coming as it does between large slabs of Moore and Byron, is anybody's guess ... The Farm is almost certainly Collingrove, near Angaston on this server.